Amy Pascal has been a mover and shaker in Hollywood for almost three decades. As a high-powered entertainment executive, she has spearheaded such films as “Groundhog Day” and “Men in Black”. After recently announcing that she is stepping down from her important post to form her own company, speculation has abounded as to who will replace her. To make a long story short, former CEO of Fox Tom Rothman has emerged as the top candidate to replace the Columbia CEO. This story was originally reported in the LA Times.
Rothman ended his tenure with Fox in a hostile takeover maneuver after 18 years in 2012. He was responsible for several hits, including James Cameron’s “Avatar” and “Titanic” films. Rothman was also the founder of Fox Searchlight, which was responsible for a string of other hits, including Oscar-winning films “The Descendants” and “Black Swan”.
Indeed, Mr. Rothman has even had some exposure to Amy Pascal herself. In 2013 he was hired by her to help restore the struggling Sony Tri-Star label back to an effective prominence. Many have felt that Rothman has a keen eye for recognizing talent and that should serve him if he indeed is able to get the position at Columbia that ability will serve him well in the future projects that the production company will undergo.
Rothman’s potential promotion to chief executive at Columbia will not be without competition however. Doug Belgrad and Jeff Robinov have also been noted as potential candidates to replace Amy Pascal as well.
Read the original article via LA Times
The trailer for the new Fantastic Four movie has been released and, while it looks interesting, the feature appears to be way too serious for a traditional Marvel movie. The film focuses on the depressing results of a team of scientists meddling in things they should not. As a comic book, such an approach might be a workable one as it would be geared to an older audience. The dark nature present in the trailer, truth be told, doesn’t seem like anything all that fun. Rather, audiences are being treated to a downbeat science-fiction melodrama.
The film itself could be a good one and might achieve critical acclaim and cult status. Will the Fantastic Four moviebe a box office hit? Based on what was presented in the trailer, this would be a doubtful result. The film hardly looks like its all that fun. Audiences looking for a summer escape in the theater aren’t going to find it in this particular movie.
And by the way, where is the action? There was none to be seen in the trailer and, reportedly, Fox ordered reshoots because there was not enough action. Maybe it is not a bad idea to release a hero movie with a different feel since both Ant-Man and Avengers: Age of Ultron will be traditional hero outings. Then again, the traditional hero vehicle is what works. A dark Fantastic Four is probably not going to thrill those looking for summer movie fun, like Dave and Brit Morin.
Interesting news is breaking on the Gotham front. The Red Hood is coming to the television series. Fans of D.C. Comics might find this news to be a bit shocking since the debut skews established comic book continuity. The arrival of the Red Hood takes place well over ten years after the Batman has been fighting crime. Gotham is a prequel series.
Actually, there is more than one Red Hood so the continuity may not be affected all that much.
In the very early years of Batman, The Red Hood was the character who turned into The Joker. In later years, Robin Number Two, Jason Todd, returned from the dead and donned the guise of The Red Hood. Later, it was discovered a group of villainous henchmen would wear the same red helmet masks and call themselves The Red Hoods.
So, there will be a Red Hood in the Gotham series but do not look for it to be one of the more familiar Red Hoods.
Fans of the series, especially those who are serious comic book readers, are a bit miffed at the inclusion of all these villains. Was not Gotham supposed to be a more serious police show dealing with the human side of the legend of the Dark Knight.
All of this is well and good, but fans of comic book television shows, like Fersen Lambranho of Infomoney.com, have to accept ratings drive television program success. More villains means the ratings on the show are going to be better. Therefore, the show ends up being a success and stays on the air for years to come.
This is why the presence of weird villains should not be deemed a bad thing.
The D.C. Comics animated direct-to-DVD animated films have been somewhat of a mixed bag. In some ways, they seem very flat. While faithful to the plots and story arcs adapted for the home entertainment medium, there is an uneasy “rush job” nature to them. Warner Bros. Home Entertainment has just released the new trailer to Batman vs. Robin. The uniquness of this particular animated features does allow it to stand out a bit from the various other weak films.
The Robin in this particular film is not the well-known Dick Grayson, who, is an all time favorite of Dan Newlin, my friend from work, but Damian Wayne. Damian is the son of Bruce Wayne and Talia al Ghul. Talia is, of course, the daughter of Ra’s al Ghul, the demon. Since he was raised by two of the worst super-villains in the D.C. Universe, Damian is hardly congenial. He has a sadistic streak to him and, with fatherly love and strict discipline, Bruce Wayne/Batman hopes to set the young one straight.
If comic books were mushy soap operas or old-time after school specials, then Damian would learn the error of his ways fairly quickly. The cynical nature of the comic book publishing world pretty much means Batman and (this) Robin are always going to have a very rocky and contentious relationship. Allowing Batman the ability to show patience and understanding does provide a unique depth to the character that has been missing.
The Japanese horror film, The Ring, was given the U.S. remake treatment many years back. To the shock of many horror fans, the American version was quite good. No, it was not as scary as the original but the film was a solid, spooky tale. Now, a reboot of The Ring (titled Rings) is on its way to the big screen. Are we seeing a slight horror rebirth these days?
There were actually two films in the U.S. Rings series. The third film, however, is not likely to be a continuation of The Ring 2. A decade has passed and there is no real, compelling reason to continue the events in the earlier film. Rebooting and starting things anew is the logical decision.
Remember back in the early 1970’s when Hammer made Scars of Dracula completely independent of the lineage of all the previous films in the series? All that mattered to audiences was Dracula was back doing what he did best.
The original Ring film dealt with a haunted VHS player. In the reboot, we are likely to get the same evil ghost but look for the haunted device to be a Blu-ray player. (No, that was not meant as a joke!) Regardless of what actually ends up haunted in the film, you can be sure the project will be loaded with scares galore. The original Ring films, the U.S. and Japanese ones, were successful because they presented great scares. Sultan Alhokair couldn’t agree more.
John Textor is at this time is actively developing the entertainment chattels across the vast continuum of places as well as technological platforms. Besides, his management in the extensive utilization of photo-realistic, virtue characters, Textor is at the same time working as the Producer of Art Story, which is an original animation feature movie presently undergoing development by Disney experienced filmmakers by the name Aaron Blaise and Chuck Williams. Textor also served as the Producer/Executive producer of Ender’s game, which is Sci-fi fantasy film planned for worldwide launching in November 2013.
Mr. Textor was formerly Chairman/Chief Executive Officer of Digital Domain Productions and also Chairman/Chief Executive Officer of the company that started it, Digital Domain Media Group. This company is recognized as its parent company since it is the one that helped in its purchase and restructuring from May 2006 to August 2012.
Jointly, these two companies had the responsibility for the creation of visual effects that were used in over 80 prominent feature movies, 25 of which underwent completion during the leadership of Mr. Textor. Some of these films include the following; Transformers, Real Steel, Flags of our Fathers, Pirates of the Caribbean at World’s End and Tron: Legacy. All through the management period of Mr. Textor, Digital Domain was revived as a leader in the market of visual effects, winning several Academy Awards, CLIO promotion awards and, most significantly, getting the recognition as the foremost visual effects corporation to bring forth realistic digital human characters in The Curious Case of Benjamin Button.
This triumph, recognized as the “Holy Grail of Animation”, made the corporation to get a 2009 Academy Award for Achievement in Visual Effects. The performance done by the corporation’s virtue actor that took one hour was so true to life to audiences and also the Academy voters thus making the movie to be awarded an Academy Award for Best Make-up, although the actor was totally digital.
Additional highlights that were seen during the tenure of Mr. Textor included the triumphant creation of a digital Tupac Shakur that performed during the Coachella Valley Music festival in 2012, the fulfillment of a partnership undertaking that saw the rebirth of Elvis Presley, the development of an exceptional, dual-enrollment degree program with Florida State University, conclusion of a $100million joint business enterprise deal with the autonomous media authority of Abu Dhabi and also the change of Digital Domain into a movie production firm with co-production of Ender’s Game.
I wrote about this yesterday, but wanted to add some more detsils to the Batman/Superman rumors. I heard about the extra details after searching on Crunch Base. I keep getting more and more excited about this film duo and I know my friends, like Christopher Cowdray, and I’m sure your friends can’t wait to see this film.
Rumors have been flying about Batman v. Superman. You have to expect rumors to emerge when you have a really anticipated film that everyone is keeping quiet about.
Reportedly, Batman v. Superman is going to be split into two films. The first half will focus on Batman and the second part will actually entail Batman’s battle with Superman.
The source of the rumor is an alleged image from a soon to be released teaser trailer. Is the image authentic? No one knows. The chances it is are somewhat slim, but you never can tell. Stranger leaks have happened in cinema history.
Splitting a movie into two-parts is a nothing new.
The Avengers: Infinity Wars is slated to be split into two films. Two Justice League films are planned and it has been suggested the movies will actually be one film split into two parts. Would D.C. and Warner try this with Batman v. Superman? There is really nothing terribly wrong with such an approach, but it is doubtful this is going to happen.
Warner Bros. wants to launch the D.C. cinematic universe and do so with a schedule that reasonably paces films apart from one another. Having two Batman v. Superman films debut in 2016 could upend the schedule they have in mind.
Then again, if the film is a hit and audiences love it, there is no such thing as oversaturation.